Peep-Hole and CAC Brétigny
in the context of Six Ways to Sunday present
Reversibility. A Theatre of De-Creation. Chapter III
curated by Pierre Bal-Blanc
Opening 10 April, 2012
11st April-19th May, 2012

Partecipating artists: Andrea Büttner, Esther Ferrer, Felix Gonzalez-Torres, Sanja Ivekovic, Ben Kinmont, Jiří Kovanda, Marcello Maloberti, Teresa Margolles, Emilie Parendeau, Martha Rosler, Santiago Sierra, Slaven Tolj, Isidoro Valcárcel Medina.
Reversibility is a project in three parts. The first stage, which took place at Frieze Art Fair in London in 2008, was framed by David Lamelas’ historical piece Dos Espacios Modificados (1967). It was followed by a second stage at CAC Brétigny in 2010, organized around Floating Wall, one of the last pieces produced by Robert Breer. The third one, presented at Peep-Hole, Milan, in 2012, will follow the rhythm of Isidoro Valcárcel Medina’s piece, No Necesita Titulo (1990–2012), which is based on the delivery of daily meals coming from charity organizations from the city in which the work is presented.
Valcárcel Medina’s work envisages the installation of three dining room tables. The tables are laid with tablecloths, plates and glasses, but the cutlery and napkins are missing. Therefore, it is not an invitation to the public to sit down and enjoy the meal, but to look on in silence and “eat it with their eyes”.
Tuesday – Saturday 3-7 PM or by appointment
Via Panfilo Castaldi 33, 20124 Milan
http://www.peep-hole.org/