Mary Zygouri, The Round-up Project: Kokkinia 1979—Kokkinia 2017 \ M.Z. \ M.K. (2017). Installation with digital video, color, sound, 16 min. documenta 14, Palais Bellevue, Kassel. Photo credit Angelos Giotopoulos
Mary Zygouri, The Round-up Project: Kokkinia 1979—Kokkinia 2017 \ M.Z. \ M.K. (2017). Installation with digital video, color, sound, 16 min. documenta 14, Palais Bellevue, Kassel
BATH OF THE CONSTITUTION \1911-2016, "Hürriyet" Public Bath in Dolapdere, Tarlabasi, Istanbul (TR), 9' 41"min, Jan. 30, 2016
Movimento in Semi-Libertà , Omaggio ad Antonio Gramsci, Ex- Carcere di Putignano, 8’:16”, 3 May 2015
Movimento in Semi-Libertà , Omaggio ad Antonio Gramsci, Ex- Carcere di Putignano, 8’:16”, 3 May 2015
BATH OF THE CONSTITUTION \1911-2016, "Hürriyet" Public Bath in Dolapdere, Tarlabasi, Istanbul (TR), 9' 41", Jan. 30, 2016
La Retata, 2017
Mary Zygouri, The Round-up Project: Kokkinia 1979—Kokkinia 2017 \ M.Z. \ M.K. (2017). Installation with digital video, color, sound, 16 min. documenta 14, Palais Bellevue, Kassel. Photo credit Angelos Giotopoulos
Mary Zygouri. Venus of the rags | in Transit | Eleusis, 2014
Mary Zygouri. Venus of the rags | in Transit | Eleusis, 2014
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Mary Zygouri

Mary Zygouri was born in 1973 in Athens and lives and works between Greece and Italy.

She studied at the School of Fine Arts in Athens and she holds a Master in Fine Arts from the Chelsea College of Art and Design, London. The artist addresses issues related to identity and crisis in contemporary culture. Her public actions and staged performances reflect on systems of power, surveillance, censorship, human rights and relationships between humans and the animal. Her thoroughly choreographed performances often unfold in public spaces, thus provoking unpredictable outcomes and compelling the public to critically engage in her actions. The collective body of the artist and the viewers/participants becomes the main actors in a social ritual, situated between a manifestation, a procession and a collective game. Her body in motion becomes the political carrier and voice for the surrounding human and urban vibrations. Her videos serve as poetic accounts of her actions. 

Recent performances and exhibitions include: "Ottomans & Europeans", Cittadellarte-Fondazione Pistoletto, IKSV (Istanbul, 2015); “A trilogy”, Galleria Alberto Peola, (Turin, 2015); “Omonia”: 6th Athens Biennale, ISET Contemporary Greek Art Institute (Athens, 2015); “Carnaval/Visual Art”, I.C.E and Teatro Pubblico Pugliese, Museo Pino Pascali (Bari, 2015); “The Sound of the property”, performance, Sustainable Happiness, and TRW (Cagliari, 2014). “Venus of The Rags\in Tansit\Eleusis, 2014”, performance, Michelangelo Pistoletto, Aischylian Festival (Elefsina, 2014); “Laborintus”, Gallery Dino Morra Arte Contemporanea (Naples, 2013); “Archive Rights 1”, “OPERA APERTA- Maria Karavela”, ISET Contemporary Greek Art Institute (Athens, 2012). In 2012 Mary Zygouri was awarded by ΑICA (Association Internationale des Critiques d’Art) Hellas. In 2017 she participates in Documenta 14.