I cookie ci aiutano a fornire i nostri servizi. Utilizzando tali servizi, accetti l'utilizzo dei cookie da parte nostra.
Regina José Galindo, Iva Lulashi
In collaboration with Galerie Alberta Pane
Mujer, Mujer, Mujer
Regina José Galindo, Iva Lulashi
Opening:
Saturday, February 17th, 2024
From 5:00 PM to 8:00 PM
44-47, rue de Montmorency 75003, Paris, France
February 18th, 2024 - March 30th, 2024
Prometeo Gallery Ida Pisani, Milan
Via Privata G. Ventura 6 - Via Massimiano
20134 Milan
Mujer, Mujer, Mujer
Regina José Galindo, Iva Lulashi
Opening:
Saturday, February 17th, 2024
From 5:00 PM to 8:00 PM
44-47, rue de Montmorency 75003, Paris, France
February 18th, 2024 - March 30th, 2024
Prometeo Gallery Ida Pisani, Milan
Via Privata G. Ventura 6 - Via Massimiano
20134 Milan
Santiago Sierra
Text by Marco Scotini
Opening
Thursday, January 18, 2024
6:00PM - 9:00 PM
19.01.2024 - 22.03.2024
Prometeo Gallery Ida Pisani, Milan
Via Privata G. Ventura 6 - Via Massimiano
20134 Milan
Opening
Thursday, January 18, 2024
6:00PM - 9:00 PM
19.01.2024 - 22.03.2024
Prometeo Gallery Ida Pisani, Milan
Via Privata G. Ventura 6 - Via Massimiano
20134 Milan
Curato da Antonio Grulli
Nel suo progetto per il Padiglione Albanese, Iva Lulashi evoca la "teoria del bicchiere d'acqua". Questa teoria, risalente al periodo pre-rivoluzionario russo e legata alla pensatrice femminista Alexandra Kollontai (1872 - 1952), si basa sull'idea di una rivoluzione sessuale in cui gli impulsi sono percepiti come una semplice necessità da soddisfare con la stessa spensieratezza con cui si beve un bicchiere d'acqua; ebbe una grande influenza sui circoli artistici di quegli anni ma fu immediatamente contrastata dall'apparato politico rivoluzionario.
L'acqua è la condizione basilare della vita, proprio come l'amore, e sia la vita che l'amore si muovono in uno stato continuo di fragilità. Amore, sesso e desiderio possono dare significato o rovinare le nostre vite, e sono l'unica grande realtà che è eternamente rivoluzionaria, tellurica per sua costituzione, su cui il potere, sia esso politico, economico o ideologico, non è in grado di imporre fermamente il proprio controllo.
Tierra
April 4–August 26, 2024
at MoMA PS1
Exhibited for the first time since entering the collection of The Museum of Modern Art, Regina José Galindo’s Tierra (2013) explores connections between the exploitation of labor, resources, and human life in Guatemala. Presented at a larger-than-life scale, Galindo stands naked on a parcel of land that is excavated by an encroaching bulldozer. Conjuring imagery of machine-dug mass graves, the work draws attention to the massacre of hundreds of thousands of Indigenous people, mostly Maya Ixil, during the Guatemalan Civil War (1960–96). As the excavator digs around her, the artist stands fixed and unrelenting. Galindo recalls, “That is what I wanted to underscore in Tierra: around me there is nothing but chaos and theft, but I remain on my feet, ready to fight, to defend the land that roots me.” This presentation is part of a collaboration between The Museum of Modern Art and MoMA PS1, where works from MoMA will premiere annually.
Regina José Galindo is a visual artist and poet who works in performance. Galindo has participated in the 49th, 51st, 53rd, and 54th editions of the Venice Biennale, as well as documenta 14 (2017). In 2005, she was awarded the Golden Lion Award for young artists at the Venice Biennale. Galindo was awarded the Grand Prize of the Ljubljana Biennial of Graphic Art in 2011 and received a 2021 Robert Rauschenberg Award. Her works are held in numerous collections, including the Centre Pompidou, Paris; the Solomon R. Guggenheim Museum, New York; Tate Modern, London; and Princeton University Art Museum.
Pasolini en clair-obscur
Pasolini in Chiaroscuro
Group Show
29.03.2024 - 29.09.2024
Nouveau Musée National de Monaco - Villa Sauber
Curated by Guillaume De Sardes
Pasolini is perhaps the last European intellectual to have gained worldwide renown. A half-century on from his death, his influence can still be felt across the different fields in which he worked: he is read, commented on, adapted, and inspires contemporary creative artists. While he preferred to describe himself as a writer, it was his films that brought him to the public’s attention. Cinema, which acted as the perfect sounding board for his political ideas, occupies a central place in his oeuvre. And it is this aspect of his work, seen through the prism of the influence of classical and contemporary art on the aesthetic of his cinematographic work, that is the main focus of “Pasolini in chiaroscuro”. Clips from Accattone, Théorème, Salò, and others are juxtaposed alongside paintings by Pontormo, Pieter Claesz, Giorgio Morandi, Fernand Léger, and Francis Bacon.
Having first explored the way in which Pasolini drew on the work of painters from the past to compose his film sequences, the second part of the exhibition shows how the writer-director symmetrically inspired those who came after him. It brings together around thirty international artists who paid tribute to him, many of them having worked on his films.
A publication based on the exhibition will be published by Flammarion.
Infinita Infanzia
Group Show
23.03.2024 - 09.06.2024
Palazzo Collicola, Musei Civici di Spoleto
Curated by Saverio Verini
The exhibition project is inspired by the essay La stagione fatata, written by Verini and published by the Castelvecchi publishing house. Starting from the book, the exhibition expands the research on the theme of childhood through numerous works by internationally recognized contemporary artists, including authors not mentioned in the publication, thus giving the exhibition an autonomous character. The exhibition aims to show how childhood is not simply a golden age, but a multifaceted phase of life, between discovery and trauma, play and disobedience, carefreeness and anxieties. Each room will ideally address an aspect related to childhood: from play to nostalgic remembrance, from the school context to the "wild" and disobedient character of childhood (made exemplary by the character of Pinocchio), touching also on the relationship with the adult/parent and the traumas associated with this complex season of life. A phase that too often tends to be flattened, but of which the artists were able to offer unexpected, intimate and poetry-laden readings. (...)
RENAISSANCE
Group Show
23.03.2024 - 01.09.2024
Museion, Museo di arte moderna e contemporanea Bolzano
Curated by Leonie Radine
Museion, Bolzano’s Museum of Modern and Contemporary Art, is pleased to announce its highly anticipated exhibition devoted to the celebration of young contemporary artists from South Tyrol and Milan. RENAISSANCE highlights transdisciplinary artistic positions who share a commitment to a regenerative and critical examination of their cultural heritage.
On the occasion of one of the highest grants for young art in Europe, awarded by the Vordemberge-Gildewart Foundation, Museion presents an exhibition featuring selected works by 15 young artists from northern Italy. Despite the diversity of their practices – including sculpture, installation, painting, drawing, video, photography, and performance – all artists share a regenerative approach towards remnants from the past. How does a young generation of artists process their weighty cultural heritage, shaped by aesthetic and social “standards”, values, role models, icons, or expectations of the artist figure? How do they build upon ruins of the past which still cast long shadows?(...)
https://www.museion.it/it/mostre/8892-renaissance
Resilient Currents: On Communal Re-Existence
Group Show
21.03.2024 - 25.04.2024
F O R M A EXHIBITION CENTER
127 Rue de Turenne, Paris
Curated by Ilaria Conti
Developed over the course of 3 years by independent curator Ilaria Conti, the exhibition highlights multidisciplinary practices linked to Abya Yala (a Kuna term for Central and South America as a constellation of sovereign non-colonial or decolonial spaces). The invited practices are committed to ethical forms of relation and epistemic justice—in one word, characterized by a commitment to the communal.
The artistic and activist practices invited recognize the urgency of practicing forms of political, social, affective, and spiritual agency as part of a network of ethical relations. Rejecting the limits of colonial knowledge systems, the artists honor the plurality of worlds that communal processes generate.