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Christian Fogarolli, Romina de Novellis, Giuseppe Stampone
In collaboration with Galerie Alberta Pane
La Bellezza non esiste
curated by Giuseppe Stampone
Christian Fogarolli, Romina de Novellis, Giuseppe Stampone
Opening:
Wednesday, April 03, 2024
From 6:00 PM to 9:00 PM
April 03, 2024 - May 15, 2024
Prometeo Gallery Ida Pisani, Milan
Via Privata G. Ventura 6 - Via Massimiano
20134 Milan
La Bellezza non esiste
curated by Giuseppe Stampone
Christian Fogarolli, Romina de Novellis, Giuseppe Stampone
Opening:
Wednesday, April 03, 2024
From 6:00 PM to 9:00 PM
April 03, 2024 - May 15, 2024
Prometeo Gallery Ida Pisani, Milan
Via Privata G. Ventura 6 - Via Massimiano
20134 Milan
Regina José Galindo, Iva Lulashi
In collaboration with Galerie Alberta Pane
Mujer, Mujer, Mujer
Regina José Galindo, Iva Lulashi
Opening:
Saturday, February 17th, 2024
From 5:00 PM to 8:00 PM
44-47, rue de Montmorency 75003, Paris, France
February 18th, 2024 - March 30th, 2024
Prometeo Gallery Ida Pisani, Milan
Via Privata G. Ventura 6 - Via Massimiano
20134 Milan
Mujer, Mujer, Mujer
Regina José Galindo, Iva Lulashi
Opening:
Saturday, February 17th, 2024
From 5:00 PM to 8:00 PM
44-47, rue de Montmorency 75003, Paris, France
February 18th, 2024 - March 30th, 2024
Prometeo Gallery Ida Pisani, Milan
Via Privata G. Ventura 6 - Via Massimiano
20134 Milan
Curato da Antonio Grulli
Nel suo progetto per il Padiglione Albanese, Iva Lulashi evoca la "teoria del bicchiere d'acqua". Questa teoria, risalente al periodo pre-rivoluzionario russo e legata alla pensatrice femminista Alexandra Kollontai (1872 - 1952), si basa sull'idea di una rivoluzione sessuale in cui gli impulsi sono percepiti come una semplice necessità da soddisfare con la stessa spensieratezza con cui si beve un bicchiere d'acqua; ebbe una grande influenza sui circoli artistici di quegli anni ma fu immediatamente contrastata dall'apparato politico rivoluzionario.
L'acqua è la condizione basilare della vita, proprio come l'amore, e sia la vita che l'amore si muovono in uno stato continuo di fragilità. Amore, sesso e desiderio possono dare significato o rovinare le nostre vite, e sono l'unica grande realtà che è eternamente rivoluzionaria, tellurica per sua costituzione, su cui il potere, sia esso politico, economico o ideologico, non è in grado di imporre fermamente il proprio controllo.
Rifrazioni. 15 curatori x 15 artisti
Group Show
Opening 08.04.2024
Opening to the public 09.04 - 28.06.2024
Exhibition conceived by Marco Tirelli
scientific coordination by Massimo Minini and Barbara Reggio
Accademia Nazionale di San Luca
Roma, piazza dell'Accademia di San Luca 77
"Since its establishment in the late 16th century, the Accademia di San Luca has been conceived as a sodality of artists and architects that, on its own autonomy and independence, has built its prestige and charisma. To this day, the Academy works out its own path based on the exclusive will of the artists, architects and historians that make it up," says Marco Tirelli. "It is in this light, and it is precisely the case to use this expression, that we must understand this exhibition, which has no pretension to offer an exhaustive overview of what is happening in contemporary art today, but certainly can be understood as a stage in a path of investigation that will continue over time”.
The exhibition project has involved fifteen curators – from different generations and heterogeneous critical backgrounds, among the most attentive and recognized, even at international level, with experience gained in curating exhibitions at public and private institutions - in the aim of returning a diversified and multifaceted cross-section of the contemporary art scene, paying special attention to most recent researches.
As part of the exhibition, the performance cycle Archetipi curated by Bartolomeo Pietromarchi will be held in the Salone d'Onore of Palazzo Carpegna.
(...)
WORLDS BEYOND WORDS/new rituals for an archaelogy of the future
Group Show
06.04.2024 - 03.11.2024
Museo Archeologico Versiliese "Bruno Antonucci"
Piazza Duomo, Pietrasanta (LU)
Curated by Francesco Ghizzani Marcìa e Alessandro Romanini
Comune di Pietrasanta
Servizio Cultura
On Friday, April 5 at 6 p.m. opens at the Museo Irpino - Carcere Borbonico Monumental Complex, Il Sospetto curated by Rebecca Russo.
The group exhibition, inspired by Alfred Hitchcock's film The Suspect, produced by Fondazione Videoinsight®️, is aimed at prevention of pathological Narcissism, toxic relationships, affective manipulation, psychological abuse, and femicide.
The exhibition itinerary is configured, as a profound reflection on couple relationships and its diseases and neuroses in our time.
The exhibition will feature works by: Maria Josè Arjona, Cristian Avram, Raffaella Baldassarre, Irene Balia, Marcela Barceló, Janet Biggs, Thomas Braida, Savina Capecci, Gianluca Capozzi, Keren Cytter, Saghar Daeiri, Nezaket Ekici, Angelo Farina, Kate Gilmore, Silvio Giordano, Niklas Goldbach, Goldiechiari, Ragnar Kjartansson, Selena Leardini, Iva Lulashi, Ursula Mayer, Marcello Maloberti, Elisabetta Mariuzzo, Masbedo, Marzia Migliora, Ottonella Mocellin - Nicola Pellegrini,Jesse Mockrin, Eugenia Mussa, Beatrice Pediconi, Nunzio Paci, Margaréta Petrzalovà, Eleonora Picariello, Cheryl Pope, Julika Rudelius, Giuliano Sale, Marta Scavone, Mario Scetta, Marinella Senatore, Milena Sgambato, Sebastiano Sofia, Melati Suryodarmo, Ian Tweedy, Sofie Tobiásová, Roberta Toscano, Eulalia Valldosera, Ulla Von Brandenburg, Sophie Whettnall.
Tierra
April 4–August 26, 2024
at MoMA PS1
Exhibited for the first time since entering the collection of The Museum of Modern Art, Regina José Galindo’s Tierra (2013) explores connections between the exploitation of labor, resources, and human life in Guatemala. Presented at a larger-than-life scale, Galindo stands naked on a parcel of land that is excavated by an encroaching bulldozer. Conjuring imagery of machine-dug mass graves, the work draws attention to the massacre of hundreds of thousands of Indigenous people, mostly Maya Ixil, during the Guatemalan Civil War (1960–96). As the excavator digs around her, the artist stands fixed and unrelenting. Galindo recalls, “That is what I wanted to underscore in Tierra: around me there is nothing but chaos and theft, but I remain on my feet, ready to fight, to defend the land that roots me.” This presentation is part of a collaboration between The Museum of Modern Art and MoMA PS1, where works from MoMA will premiere annually.
Regina José Galindo is a visual artist and poet who works in performance. Galindo has participated in the 49th, 51st, 53rd, and 54th editions of the Venice Biennale, as well as documenta 14 (2017). In 2005, she was awarded the Golden Lion Award for young artists at the Venice Biennale. Galindo was awarded the Grand Prize of the Ljubljana Biennial of Graphic Art in 2011 and received a 2021 Robert Rauschenberg Award. Her works are held in numerous collections, including the Centre Pompidou, Paris; the Solomon R. Guggenheim Museum, New York; Tate Modern, London; and Princeton University Art Museum.
Pasolini en clair-obscur
Pasolini in Chiaroscuro
Group Show
29.03.2024 - 29.09.2024
Nouveau Musée National de Monaco - Villa Sauber
Curated by Guillaume De Sardes
Pasolini is perhaps the last European intellectual to have gained worldwide renown. A half-century on from his death, his influence can still be felt across the different fields in which he worked: he is read, commented on, adapted, and inspires contemporary creative artists. While he preferred to describe himself as a writer, it was his films that brought him to the public’s attention. Cinema, which acted as the perfect sounding board for his political ideas, occupies a central place in his oeuvre. And it is this aspect of his work, seen through the prism of the influence of classical and contemporary art on the aesthetic of his cinematographic work, that is the main focus of “Pasolini in chiaroscuro”. Clips from Accattone, Théorème, Salò, and others are juxtaposed alongside paintings by Pontormo, Pieter Claesz, Giorgio Morandi, Fernand Léger, and Francis Bacon.
Having first explored the way in which Pasolini drew on the work of painters from the past to compose his film sequences, the second part of the exhibition shows how the writer-director symmetrically inspired those who came after him. It brings together around thirty international artists who paid tribute to him, many of them having worked on his films.
A publication based on the exhibition will be published by Flammarion.